Lana Del Rey Shares Snippet of ‘Norman F—ing Rockwell’ Video: Watch


ISSUE 20 2019 - DO NOT USE!!! NOT OUT YET - OUT ON 8.22.19

Lana Del Rey finally unleashed her highly anticipated Norman Fucking Rockwell album yesterday, and on Saturday evening (Aug. 31) she gave us our first taste of a music video for its title track.

The singer shared a snippet of the «Norman Fucking Rockwell» video to her Instagram, captioning it simply «Norman fucking Rockwell. Jack Antonoff. Video chuck grant.» The clip features her seated at a piano performing the song before donning a pair of sunglasses and stepping outside.

No word yet on when fans can expect the full video to be released, but for now, check out the snippet below.

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Jack Antonoff. Video chuck grant

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This article was originally published by: Billboard

12 Iconic Music Videos by VMA Vanguard Jennifer Lopez


It’s been over 20 years since Jennifer Lopez first appeared as a fly girl on In Living Color, and began her ascent to superstardom. In a career that’s exploded since then, the world famous triple threat has finessed the worlds of music, film and television with unmatched ease. As the 2018 recipient of the Michael Jackson Video Vanguard Award, she’ll be performing live from Radio City Music Hall for an epic return to the VMA stage since last performing in 2001. Joining the likes of Madonna, Rihanna, Beyoncé and Kanye West, to name a few, the honor marks two decades of excellent work from the woman who introduced the «Glow.»

An old-school entertainer with new-school energy, J.Lo has kept a clipping pace after the legendary artists that inspired her career. Coming up in the golden era of music videos, the honor is a worthy one for the show business veteran. Her video contributions only scratch the surface of an immense cultural impact she’s had with an empire that continues to flourish.

The ultimate beauty icon, Lopez has never met a red carpet she didn’t like or missed a chance to reach the masses on the silver screen, the small screen and pretty much any screen. Her perennial glamour and raw talent are encapsulated best in the music videos throughout her career. Here’s a look at some of the most important moments in her long videography.

​(1999) «If You Had My Love» directed by Paul Hunter

In her first video and single from the debut album, On The 6, Jennifer Lopez turns us onto her talents via a low-fi livestream concept that would cement her status as a rising star. Broadcasting for a group of Internet fans and voyeurs, the diva jumps out here for a breakdown of things to come. All the important elements of a J.Lo video are on display. Rocking sexy, minimal looks like a white triangle bikini top with cargo pants and slaying a salsa dance break in silver chainmail, the video defines a style for the triple threat that holds up today. Successfully crossing her over to music, the song went straight to number one and earned her some Video Music Award nominations, as well.

(1999) «Waiting For Tonight» directed by Francis Lawrence

In one of her most memorable videos, Jennifer Lopez welcomes the new millennium at a rave in the rainforest. Serving up another round of astounding looks and strong dance moves, Lopez catches the strobe light with a body covered in crystals and dances in a waterfall. The Latin house track oozes anticipation and remains a stand out in her singing career. It even earned her a Grammy nomination and the occasion to don that iconic green Versace dress.

(2000) «Love Don’t Cost a Thing» directed by Paul Hunter

With the release of her second album, J.Lo, the singer takes on her megastar moniker and puts out another classic video with «Love Don’t Cost a Thing.» In a bold proclamation of her values, we see J.Lo take off in a convertible fleeing the mansion where she’s been disappointed yet again by an absent lover trying to buy her affection. The beauty tears down a freeway, stripping off gold aviators and pieces of jewelry in the wind with abandon. Coming through with a strong hip-hop dance break before a green screen sunset, she rocks braids and a crystal-encrusted J.Lo tank — iconic. She also dances alongside Cris Judd in the video, who she later married and divorced, to public dismay.

(2001) «Play» directed by Francis Lawrence

In another out of this world visual, J.Lo takes off on a intergalactic flight, truly taking the glam to new altitudes. In the mostly computer-generated video, the diva’s quest to hear her favorite song amounts to a raging dance party and some breathtaking looks. Naturally, the sky high disco soars off into several dance breaks and J.Lo at the controls, fulfilling for the listener what the DJ can’t seem to manage. The visual reaches a peak level when Jenny asks, » I just wanna dance, is that a crime? Alright then.» Extra points here for the runway ready looks.

(2001) «I’m Real» (remix) feat. Ja Rule directed by Dave Meyers

In the buttery smooth remix to her own song featuring Ja Rule, the «I’m Real» video stands out as another moment to capsule for the singer. In an attempt to strip back the major glow she came to be known for, this video portrays Lopez leaning on the front gate of a house in the Bronx and carrying on at the basketball court. Clad in a juicy sweat suit, gold hoops, classic Adidas and slick baby hairs, the look alone makes this city landscape portraiture all the more gratifying. It’s the balance she achieves between mega star and around-the-way girl that makes this a standout moment in her videography.

(2002) «Jenny From The Block» directed Francis Lawrence

In one of the biggest songs of her career released at the height of tabloid culture, Jennifer Lopez returned to themes of surveillance and celebrity with the iconic «Jenny From The Block.» In a montage of beautifully captured snapshots from yachts, balconies and street performances of the song, Lopez attests, again, that she’s the same girl from the Bronx. With its old school samplings setting the soundtrack for the original «Bennifer,» this video addresses public discourse while making way for more to be had — and it’s still something to talk about. This video also coincides with the smash hit that was Maid in Manhattan, giving J.Lo the distinct honor of having a number one song and movie simultaneously.

(2002) «All I Have» feat. LL Cool J directed Dave Meyers

A single digitized snowflake falls all the way down onto J.Lo in the opening shot of this epic collaboration with LL Cool J. Serving up a series of looks that are downright icy, this stands the tests of time as an instant classic for the artists. The two portray their melodramatic romance and its demise in the breakup ballad. In yet another iconic look, Lopez braves the blizzard in a pink, fur-hooded coat dress with bare legs and pigtails. Cold as it may be, the two keep it really hot: cooing their regrets over a failed relationship and recalling better days. Their romance may not have worked, but the video stands out as a fan favorite and a source of inspiration whenever it snows.

(2003) «I’m Glad» directed by David LaChappelle

In collaboration with the legendary photographer, David LaChapelle, the video for «I’m Glad» showcases Lopez’s talents as a dancer and an actress. In the creative reinterpretation of the movie Flashdance, the singer serves welder, aspiring dancer and exotic performer in the span of the video and shows off some impressive choreography. The video is another epic display of her talents and a beautifully filmed with the legendary LaChapelle.

(2011) «On the Floor» feat. Pitbull directed by TAJ Stansberry

When this song was released in 2011, J.Lo had been out of the music game a moment and started her family with then husband, Marc Anthony. This collaboration with Pitbull marked a return to form for Lopez, who mobilizes a massive club crowd in this high energy video. Putting her famous moves on display here again, the song became one of the best-selling singles of all time and reached a billion views on Youtube.

(2014) «I Luh Ya Papi» feat. French Montana directed by Jessy Terrero

In the sexy update to her most classic video tropes, J.Lo takes an opportunity with this catchy love bop to reinstate her most iconic moments in this video. In a play on Jay-Z’s historic «Big Pimpin» video, Lopez and her girl gang are flanked by male models in speedos by the pool and on a yacht. In a jumpsuit fashioned after the green Versace gown we’ve come to love, she keeps up her own pace with a high-energy dance break and a rolodex of some more signature looks.

(2014) «Booty» feat. Iggy Azalea directed Hype Williams

There’s nothing subtle about the video for a collaboration with Iggy Azalea, nor should there be. In the hyperactive visual display, J.Lo puts her booty on full blast. The draw here is an obvious one for a culture obsessed with ass and, as an originator of the craze, J.Lo doesn’t disappoint. The pace is unrelenting here, as the ladies serve it up cheek to cheek in swimsuits before the eventual dance break.

(2018) «El Anillo» directed by Santiago Salviche

In her most evolved form, J.Lo appears here in the Game of Thrones-esque treatment, where all the world’s queens gather at her throne for the impending ceremony surrounding what translates to «the ring.» One half of the entertainment power couple, J.Rod, Lopez begs the question of marriage in the stunning visual feat. Decked out in queenly couture and dripping in jewels for a splashing dance sequence, the diva maintains her relentless starpower and has racked up more than 180 million views since the video’s release.

This article was originally written by: Paper Magazine

Los fans de Paul Walker tendrán su esperado documental.


2013 fue el año en el que el mundo no volvió a ser el mismo. Con esto nos referimos a que usualmente, con las muertes de personas jóvenes, el mundo se colapsa. Especialmente si esta persona es alguien tan joven como lo fue Paul Walker, el actor mejor conocido por su participación en las cintas de Rápidos y Furiosos. 

La premisa de dicha saga, básicamente, era de un policía que se hacía “malo”, después de conocer a Toretto —papel interpretado por Vin Diesel— y enamorarse de su hermana Mia (Jordana Brewster). Durante siete películas, la velocidad, los arrancones y la acción fueron parte de la vida de Paul, quien lamentablemente el 30 de noviembre perdió la vida en un accidente automovilístico (qué ironía), y por consiguiente su vida pasó a ser un mito, una leyenda que finalmente tendrá su propio documental y del cual ya podemos ver el primer tráiler. A cinco años del fallecimiento del actor, Paramount Network tomó la batuta para mostrar un poco del legado de Walker en el que su familia habla de la vida de Paul y de cómo fue que aprendieron a lidiar con su pérdida. 

El nombre de esta producción será “I Am Paul Walker”, y en ella aparecerá una compilación de entrevistas con sus familiares, entre ellos Caleb, Cody y Ashlie, así como sus amigos de la infancia, directores que trabajaron con él y los actores con los que compartió el set de grabación, entre ellosTyrese Gibson, quien también protagoniza las cintas de Rápidos y Furiosos. 

El documental también aborda la tendencia de Paul de tener “un pie dentro y otro afuera” de Hollywood, pues prefería centrarse en su familia y disfrutar de la vida, de los paisajes. “Mi hija, mi surf, esa es la vida y es lo que me importa”, se escucha en una parte del tráiler donde habla el director de The Fast and The Furious, Rob Cohen, y dice que esas eran las palabras que Walker le decía. 

El filme cuenta con la producción ejecutiva del hermano de Paul Walker, Caleb Walker, quien también habla de su trabajo como filántropo y la ayuda que puso para reconstruir las casas en Haití después de ese terrible terremoto. Todo a través de la organización Reach Out Worldwide. 

Walker murió en un accidente de auto en 2013 después de que perdiera el control del Porshe —el cual él iba manejando—, chocara, y éste comenzara a incendiarse. Justo en ese tiempo, se encontraba filmando la cinta The Fast and The Furious, la penúltima entrega de esta franquicia que no pudo terminar de grabar, pero que ésta, para rendirle tributo a uno de sus personajes principales (Brian O’Conner), hizo un par de trucos con la ayuda de su hermano Caleb para mostrarlo ante la cámara y hacer que manejara hacia el atardecer, no sin antes despedirse de su mejor amigo, Toretto. 

I Am Paul se estrenará el 11 de agosto a las 9:00 de la noche en Paramount Network, el canal oficial de la productora y distribuidora de cine.


This article was originally published by: Sopitas

Janelle Monáe Celebrates Womanhood In Her “PYNK” Video


Janelle Monae reunited with Grimes on her new Dirty Computersingle, “PYNK.” The pair previously joined forces on “Venus Fly,” a frenetic cut off the producer’s Art Angels LP. Released today (April 10), their second collaboration is a buoyant ode to womanhood. “PYNK is a brash celebration of creation. self love. sexuality. and pussy power! PYNK is the color that unites us all, for pink is the color found in the deepest and darkest nooks and crannies of humans everywhere,” the “Make Me Feel” hitmaker said of the track. Taking things one step further, she added that “PYNK is where the future is born….”

“Pink like the inside of your, baby. Pink behind all of the doors, crazy. Pink like the tongue that goes down, maybe,” she coos over a delicate beat. Her voice grows in power as the song progresses, reaching a climax before gently fading out. The Emma Westenberg video brings the anthem to life with a celebration of all things pink. In it, Janelle and a crew of female dancers deliver some synchronized choreography in a blush-hued desert. The styling is appropriately striking, and the visual is a must-see addition to the Dirty Computercollection.

Dirty Computer is set to drop April 27 and will be accompanied by a narrative film. Details are still emerging about the visual component, but it seems possible that it will be a visual album in the style of Beyonce’s Lemonade. If so, we can look forward to more music videos in the coming months and expect them to be tied together by a unifying narrative. “PYNK” joins previously released bops “Make Me Feel” and “Django Jane.” Give the bold visual a view up top!

#PYNK @Youtube #linkinbio Directed by the bad ass herself: @emma.westenberg

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This article was originally published by: Idolator 

Demi Lovato Teases ‘Tell Me You Love Me’ Video With Faux Wedding Invitation Dated Dec. 1


Save the date, Lovatics! Beginning Friday (Dec. 1), you are cordially invited to Demi Lovato’s wedding — well, at least in the form of a music video.

According to a faux wedding invitation tweeted by Lovato on Monday (Nov. 27), the video for her latest single «Tell Me You Love Me» is centered around the wedding of Demi and Jesse at 10 o’clock in the morning Eastern time.

Along with these logistical details, Lovato posted a photo to Instagram this morning (Nov. 28) in which she makes for a stunning bride.


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«Tell Me You Love Me» is the title track of Lovato’s sixth studio album, which arrived on Sept. 29. Stream the album in full below.

This article was originally published by: Billboard 

Is Demi Lovato A Blushing Bride In Her “Tell Me You Love Me” Video?


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Demi Lovato is looking to wind up her brilliant 2017 with a wedding. No, the pop star hasn’t eloped with a mystery man. Instead, she’s tying the knot in a new music video. I think. The hitmaker randomly posted a picture in full bridal get-up yesterday (November 22) with so much as an emoji for clarification. However, it doesn’t take too much detective work to deduce that it’s likely a still from the video for “Tell Me You Love Me.” The second single from Demi’s similarly-titled LP is gaining momentum on pop radio, which means a visual can’t be too far away.

And a nuptials-themed video would fit the power ballad perfectly. There’s nothing a wedding to make a video go viral — see Beyonce’s “Best Thing I Never Had,” Maroon 5’s “Sugar” and Guns N Roses’ “November Rain” for proof. Demi isn’t taking any prisoners this year. “Sorry Not Sorry” became the biggest hit of the diva’s career when it peaked at number six on the Billboard Hot 100 and she currently has one of the hottest tracks on the planet with Luis Fonsi collaboration, “Echame La Culpa.” Listen to her next smash below.

This article was originally published by: Idolator